The Girl Who Takes an Eye for an Eye: A Lisbeth Salander Novel by David Lagercrantz
My rating: 3 of 5 stars
Months after confronting her sister and feeling that she is become far to well-known, Lisbeth Salander can’t help but stand up for the underdog as well get revenge on those that made her childhood hell. The Girl Who Takes an Eye for an Eye is the fifth book of the Millennium series and second written by David Lagercrantz that follows Lisbeth Salander and Mikael Blomkvist as they examine the twisted history of Sweden’s recent past.
Nearing the end of a two-month jail sentence for crimes committed while protecting August Balder, Lisbeth Salander observes that Bangladeshi prisoner Faria Kasi is tormented nightly by ruthless prisoner Beatrice "Benito" Andersson. Already needing to use a computer after a visit from her former guardian Holger Palmgren informs her that she was involved in something called the Registry. Suspicious, Salander forces the Warden to let her use his computer, where she learns the Registry is a secret project that places exceptional children in specific environments to test the effects on their growth. Salander asks journalist Mikael Blomkvist to investigate in her stead, pointing him to wealthy businessman Leo Mannheimer. Blomkvist learns that Mannheimer had been acting strangely lately and comes to suspect that not only does he have a twin, Dan Brody, but Brody has been going around pretending to be Mannheimer. Meanwhile Palmgren’s investigation alerts Rakel Greitz who poisons him and takes the file. Blomkvist arrives too late, but Palmgren tells him to find Hilda von Kanterborg, a former Registry agent whose initials were in the file, before he dies. Blomkvist tracks Hilda down and, though she doesn't believe Dan stole Leo's identity, she confirms that they are twins. She also tells him that Greitz tried to take Salander away from her family as a child as part of the experiment, only for her to react violently and escape. Blomkvist confronts Mannheimer who, after saving him from Greitz' henchman Benjamin, reveals that he is Dan and why he’s impersonating his brother. While this is happening, the Warden of Flodberga makes plans to transfer Benito to another prison. Upon learning this, Benito prepares to kill Faria, which she reveals she was hired to do by Faria's brothers. However, Salander stops and severely injures her, sending her to the hospital. After Salander is released, she investigates Faria's history, learning how she ended up in prison and that her brother Bashir hired Benito. Salander tricks Bashir into confessing on video and convinces Faria’s younger brother Khalil to do the same to the police for a murder he committed. She then plans to go after Greitz after talking with Blomkvist, only to be kidnapped by Bashir and an escaped Benito. She gets an alert out to her hacker allies, who manage to track the truck they're in and alert the police. With Faria's help, the police find them just as Salander escapes and arrest Benito, Bashir, and their colleagues. After recovering from a wound sustained in her escape, Salander confronts and subdues Greitz and Benjamin, deciding to spare the former so she can suffer the shame of her reputation being ruined as she's arrested. Faria's charges are lowered and she's presumably released. The people involved with the Registry are sent to prison as Millennium publishes Leo and Dan's story. Everyone who knew Palmgren gather for his funeral, where Salander makes a speech about her guardian.
While the novel is entertaining in areas, the plot is sluggish and the tension relying on an overreliance of annoying tricks. In fact, the book doesn’t feel like a Salander novel as it’s labeled because compared to the Larrson trilogy she’s only an instigator to the plot while Blomkvist feels to be more important of the two main characters. Lagercrantz’s own created characters were focused on more than Salander thus making it seem like she’s only billed on the cover to sell books. Its hard to know that if this book wasn’t connected with the Millennium what I would think of it, but given it is I’ve got to rate it the lowest of the series so far even after a good previous installment.
The Girl Who Takes an Eye for an Eye feels off from the rest of the Millennium series and doesn’t measure up to David Lagercrantz’s previous effort in the series. While some parts are entertaining and add to Salander’s mythos, she is in the background of a book that bills her as the main character.
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